Ivan Ryzhko
Composer from Kraków, Poland. I release music as Vicate and sell it on stock sites. I build tracklog.
Twelve years on stock sites
I write production music. That is music made for video: ads, brand films, YouTube. Most of it is electronic: house, hip-hop, lo-fi.
I started selling music on AudioJungle in 2014. Since then my tracks have gone to many places. Stock sites like AudioJungle, Motion Array and PremiumBeat. Music libraries. Streaming stores through DistroKid. YouTube Content ID. And BMI, my performing rights organization.
In October 2026 my catalog had 361 tracks. Each one was on 6 or 7 platforms on average.
Why I built tracklog
I have always liked order. But the tracks and the platforms add up, and they keep changing. A track is rejected on one site. It goes live on another under a new title. I could not keep all of it in my head.
So I kept a spreadsheet from my first year on stock sites. It grew for years. It became big and hard to use. I could not see at a glance where a track was missing.
I am a musician, not a programmer. In 2026, AI coding tools let me build a proper app for my own catalog. Then I saw that other producers have the same problem. That app is tracklog.
How I use it
My whole catalog is in tracklog. I use it every day. When a Content ID claim comes in, I find the track and its registration in seconds.
About the guides
I write the guides on this site from my own work with stock sites, libraries and distributors. When a guide uses numbers from my catalog, they are totals, without track names. Most guides list their sources at the end.
Elsewhere
- My music and licenses: vicatemusic.com
- My tracks on PremiumBeat: Vicate Studios
- Vicate on YouTube and Instagram
- tracklog on YouTube and Instagram
Write to me
Questions about the app, or about keeping a catalog? Write to hi@tracklog.studio. The address goes straight to me.